Photo & Catchcopy Contest is open to children enrolled in elementary, junior high, high school, and special schools in Uchinaa.
Kajadifu Video Contest is open to all Uchinānchu and they’re looking for video performances of “Kajadifu” (YouTubers Ryukatsutyu has a perfect example of this) showcasing the scenery from your part of the world. A special note to add that you will be using their recording of “Kajadifu” that can be downloaded on the contest’s webpage. Even if you don’t participate in the contest, be sure to download the song as it’s an amazing recording by Higa Yasuharu-shinshii (Ryūkyū Koten Ongaku Nomura-ryū Hozonkai).
Ryūka Contest looks like it’s open to all Uchinānchu (although it’s not clearly stated) and the rules are simple since it has to be a san-pachi-rokuRyūka and use Shimakutuba.
One of my new Twitter follows, KANASA Co-Operative, is one that shares words and stories from Ryūkyū in English. They also have a website with longer form articles about Ryukyuan culture that’s a great resource to deepen your knowledge. One of my favorite articles is about the hidari-gomon that I see everyday when I pick up my sanshin (it’s on the tiiga). From their website:
Established in 2019, KANASA is a modern co-operative committed to the preservation and awareness raising of Ryukyuan stories, histories and cultures, through creative editorials, art and trade.
A new social network (started by Shari Tamashiro) is up on the web and I’m hoping many of Karakui’s readers will join in. The community’s focus will be on Okinawan studies all things Okinawan and is a great way to post blog entries, upload photos and videos, start forum threads, learn about new events, and to just hang out and chat with other members. Be sure to check it out!
Yup, Richie here at Karakui.com is a pretty big fan of The Beatles and it’s pretty cool to see their music redone with an Okinawan twist. The group of this wonderful album are calling themselves “Soul Gakudan” and they’re none other than Toru Yonaha (sanshin, fue), Kazunari Uechi (taiko), Yoko Onaga (koto) and Natsuko Morita (kuucho). (That’s Toru in the YouTube clip performing “Day Tripper” in Koza.)
The first pressing of the 10-track album—released on 6/18/08—comes with a kunkunshi (or kururunshi) booklet and is currently on sale for ¥2,000 at retailers like CDJapan.
“Ryukyu Geino: The Legacy of Kin Ryosho,” a free public lecture-demonstration discussing the art and teachings of Master Kin Ryosho, will be presented on Sunday, October 12, 2008, from 3:00 to 5:00 PM at the UH Manoa School of Architecture Auditorium.
Master Kin Ryosho, one of the last links to the classical performing arts of the Ryukyuan Kingdom, was designated a National Living Treasure by the Japanese government for his knowledge of Kumi Udui, the 18th century classical Okinawan court dance drama.
The program will feature short lectures by Dr. Kathy Foley, University of California, Santa Cruz and Dr. Nobuko Ochner, University of Hawai‘i Manoa. Dances and demonstrations of Kumi Udui will be presented by the students of Cheryl Yoshie Nakasone, Lecturer in Okinawan Dance at the University of Hawai‘i at Manoa and director of the Hawai‘i chapter of Master Kin’s school, Jimpu Kai USA Kin Ryosho Ryukyu Geino Kenkyusho Hawai‘i Shibu.
Doors open at 2:30 PM. Seating is limited. Free parking is available under the School of Architecture building and on campus. Elevator for disabled guests can be accessed through the parking lot under the Architecture building.
This project was made possible through funding from the University of Hawai‘i Japan Studies Endowment and co-sponsored by the University of Hawai‘i’s Center for Japanese Studies and Center for Okinawan Studies.